Chinese Musical Instruments

Chinese Musical Instruments
By Peter Emerson

Like every country has its own traditional music and musical instruments, China also has traditional musical instruments that have been developed over the centuries. Traditionally, Chinese musical instruments have been classified according to the materials they are made up of. These materials are namely, stone, silk, gourd, metal, bamboo, clay, skin, and wood. Among these, the stone and wood instruments have become outdated. Chinese musical instruments may also be classified into string, wind, or percussion instruments. String instruments may be classified into plucked string instruments and bowed string instruments. The older instruments consist of long zithers, panpipes, flutes, the sheng, or mouth organ, and percussion instruments, such as clappers, gongs, and drums. Various lutes and fiddles were introduced later to China from Central Asia.

Erhu is a type of bowed string instrument. It is a two-stringed fiddle and is one of the most popular Chinese instruments in the Hu-qin family. Gao-hu is another bowed string instrument. Gao-Hu is mostly used for high-pitched tunes that Erhu cannot play and frequently used for performing vivid and brisk rhythms. Gao-Hu has louder volume yet brighter tones, and thus it serves as both a solo and leading instrument in performing Cantonese operas and folk melodies.

Pipa is a type of plucked string instrument and belongs to the Lute family. It is a four-stringed lute with 30 frets and pear-shaped body. The Pipa is to be held upright by the instrumentalist and played with five small plectra attached to each finger of the right hand. This musical instrument has a remarkable expressive power and an extremely dynamic range. Yueqin, a plucked string instrument, is a moon shaped lute with shorter neck and four strings. Gugin is another important plucked string instrument, which is like a seven-stringed zither.

Wind musical instruments are very popular in China. A Dizi, traditionally made of bamboo, is the simplest wind instrument. This instrument is especially popular, as it is a low cost instrument and is relatively easy to learn.

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Drumming Technique – 2 Golden Rules to Improve Any Drummers Performance When Playing Drums

Are you a student taking drum lessons or are you a drum teacher of music lessons? Playing drums can be fun and you can learn (or teach) drums in a short while, or be a much better drummer, by following two (2) golden rules of drumming. If you want to learn drums more effectively and efficiently, then this article is for you.
So, what are the two (2) golden rules? They are:

1. Technique
2. Stick Heights

The first golden rule is Technique. In drumming, this is how you hold your drumsticks or keyboard mallets while playing a pattern of sticking that is suitable for a particular drumming exercise or drum music. The way that you hold the stick is called grip. There are two types of grip in drumming. They are:

• Match Grip
• Traditional Grip

Each grip is really a matter of preference. Sometimes, the type of percussion instrument you play will determine the type of grip you should use. In many cases it is good to know how to play drums with both types of grips. This will allow for you to always be prepared no matter the situation.

If you are beginning drummer, recommendations are to begin with the match grip. Match grip is exactly what the word match describes; the hands are holding the drumsticks exactly the same. It is kind of like holding bicycle handle bars with a few adjustments to angle and thumbs. This grip is generally held by many concert percussionists, jazz drum kit players, rock band drummers and by marching percussions tenor drummers and bass drummers. See a hand example of how to hold a drumstick using the match grip by clicking here.

The next grip, traditional grip, is a technical drumming hold that if done properly, can approve your drumming abilities in terms of speed, endurance, accuracy, finger and hand agility and overall aesthetics. When teaching drum lessons, drum teachers should instruct their students to include door knob turning as part of their daily exercise. The reason for this is because the motion that the forearm performs is the same turn that that is used when playing drums with a traditional grip. Furthermore, the fingers are place properly on to the stick. Two fundamental notes to having better control of the stick when playing with the traditional grip:

• Never release the thumb from the index finger
• Keep the pinky and the ring finger together working as one (this can be accomplished by taping the two fingers together)

Traditional grip is often used in marching percussion by snare players. Many jazz drummers, like Buddy Rich performs with the traditional grip as well as Drum Corps drummers like the Concord Blue Devils. There are also many drum videos and drum DVD’s that portray the traditional grip. A great example can be seen at Drumex.com, where the drum video shows a snare drummer auditioning for the UCLA Drumline.

A hand illustration of the traditional grip can be seen by clicking here.

The second golden of drumming is stick heights. In marching drumlins and percussion ensembles, the focus is on uniformity. Meaning everyone needs to look the same including their hand positions (grip) and levels of heights. There are two types of stick heights that should be required for anyone playing drums, especially when playing snare drum rudiments. They are:

• Accents
• Taps

There is a distinct difference between the two. Bottom line is accents are played higher than taps. Drum teachers usually explain this by saying taps are all the inside notes, the low notes. Accents are taught to be played vertically. The common misconception is that accents and taps is just for marching drumlines, but it can also be played by drum kit drummers too. The benefit to playing drum music with proper stick heights is that it sounds and it looks good. One of the best books that could teach you how to play proper stick heights is Accents and Rebounds by George Lawrence Stone. Stone is well-known for his first book, Stick Control.

The two golden rules, technique and stick heights will improve your drumming abilities. Pay close attention to each of the two in detail when playing drums. You get the most benefit of your drum lessons by practicing and researching. Review drum videos and watch a lot of Buddy Rich and Mike Portnoy to better your drumming. Good luck and don’t use drum tabs, read drum music.

Choosing The Right Musical Instrument For You

Choosing The Right Musical Instrument For You
By Susan Jan

If music is your middle name, then musical instruments are sure to adorn your room. Music is an excellent way to get rid of the blues. And if you are the creative type, then you can compose your own songs with musical instruments.

Musical instruments are mainly categorized by the way they generate sound. All musical instruments fall under one of the following – string, wind, percussion and keyboard, though there may be further divisions and sub-divisions. Examples of string instruments include guitars, violins, ukuleles and cellos. Wind instruments include pipes, sax, clarinet, flute and such other types. Drums, bongos, cymbals and bells fall under the percussions category. And keyboard instruments include pianos, harpsichords, organs and accordions. Over 1000 musical instruments are available across the world, including folk instruments.

If you want to play on your own, then it is better to start with a musical instrument you like, and then gradually master the instrument by joining music classes. If you like music in general and are not interested in specializing in any particular type of instrument then a keyboard can be the perfect choice. Electronic keyboards nowadays can produce all sorts of sound ranging from guitar tunes to drum beats. A variety of DJ equipments are also available on the market nowadays, which provide creative sound mixing options for the wannabe DJs as well as for the experienced disc jockeys.

On the other hand, if you were thinking of organizing a band then you would need different types of musical instruments. A band normally includes a couple of string instruments, percussions and preferably a wind instrument.

You can purchase your musical instruments online. Choose your favorite instrument from the various websites that you will find on the internet. They often offer discounts if you buy their package deals, which include various types of musical instruments. This can be your best option if you are planning a band with your friends.

Musical instruments can be a costly affair, especially if you are planning to buy the best available on the market. These can set you back by anything from $100 to over $10000. A good Yamaha or Roland electronic keyboard may cost almost $2500. Used musical instruments are often a good choice, especially if you are learning to play a new instrument. For beginners it is advisable to invest in musical instruments in the lower price range.

Musical instruments can also be made at home with items of daily use. Homemade musical instruments mainly fall under the category of percussion instruments. You can make almost anything, from shakers and jingle bracelets to drums and tambourines. You can also make wind instruments such as comb harmonica or kazoo. These help your child to be creative and can keep them busy. And you can now have your own band at home.

If you're thinking of buying an accordion or an ukulele, come visit Susan's sites All About Accordions and All About Ukuleles.

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Creating A Drum

By Taisha Grant

Drums are one of the world’s oldest known and simplest instruments. Unlike most other instruments, they can be created using regular items and there sound can be recreated using many different kinds of items. The traditional drum form is a “membrane” stretch over a hollow shell. This membrane can be made of many different kinds of materials but were originally made from animal skin.

The animal skin is typically wet when it is first stretched over the drum. The skin is easier to work with when it has been wet and becomes increasingly difficult to handle and manipulate as it dries. The wetness of the skin is particularly important as this will allow the skin to be stretched, thus creating the tension necessary to create resonance in the drum. It is also important that the work area is very clean when the skin is dry so that dirt and debris do not get caught up in the skin and damage it. The skin that goes on the drumhead is traditionally soaked and stretched twice. The first stretch is employed in order to shape the skin to the head of the dream while the second stretch serves to make the skin taut enough to create an effective musical instrument.

Drum skins can be purchased from a variety of different locations. One website, http://www.soundsofclay.com has drum heads available in a variety of different patterns and styles. These drum heads are made from goat skins and some deer skins. They are also offered with or without hair and in patterns such as tie-dye and fluorescent tie-dye.

Still other sites, such as http://www.janm.org offer long descriptions and detailed instructions on how to make a Taiko Drum. Taiko means “drum” in Japanese and are drums used traditionally in Japanese classical and musical traditions. The drums are large and beautiful and resemble large barrels.

Typically, drums that are played with sticks use thicker skins while drums played with the hand use thinner skins. The animals skins used for making drum heads are almost always rawhide, which is exceptionally strong and flexible and has the added bonus of stretching when wet and tightening when dry. Most commonly the drum head is made out of goat or cow. Skins used for drums cannot be flawed and can be checked for flaws by holding them up to the light. To find out further information on drums, log on to the Internet.

About the Author: Taisha Grant writes about Musical Coupons,Music123 coupon codes and Guitar Traders coupon

Source: www.isnare.com

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Ideas To Help With Percussion In The Beginner Band

Ideas To Help With Percussion In The Beginner Band
By Kevin Tuck

The beginner band is a big challenge, you have an entire band of students who are just starting to learn their instruments, and you are trying to both educate and inspire them to play.

Getting the percussion section to work effectively can be one of the biggest challenges, particularly if you don't know a lot about percussion.

Don't let them be "drummers" only - be "percussionists" instead

This is the most important thing to realize - that band students are often attracted to percussion so that they can play the drum set. The drum set (or drum kit) is often used in the school band, and often is very important, so students feel that if they are not playing it they have to sit there and wait.

The band director has to find a way around this situation - if you only have one drummer, then great! They can play the drum kit and away you go.

The issue can happen when you have multiple drummers in the band, sometimes two, four, eight or ten! One way that works very effectively and has been used for many years is to have one player playing snare drum, one playing bass drum, and one cymbal player, even if you have a "drum kit" part written out. If you have this type of band I recommend having this setup at all times, and making the students stand up to play the snare drum. You then have the cymbals and concert bass drum, and its designed to be played by three players all the time.

Have an Auxilliary Percussion Table - and make them stand up to play at all times

There is nothing worse than vaguely hearing a shaker or tambourine in a school band, and struggling to see the person sitting on a chair behind the drummer!

When playing tambourine, triangle or shaker - these instruments are often more critical to the sound of the band than the snare drum or drum set, so therefore they must be taken really seriously.. by the band director as well as by the players.

So always have a "traps" table with everything in easy reach. Its not too expensive to make one or buy one of the available professional ones.

The players must always stand up to play, and have their music stand set up so that they can look immediately over it at the band conductor.

Warming up - please don't ignore us!

I've been a percussionist in a school band... there is nothing more frustrating that spending your time sitting in the school band room while you wait for the wind players to tune up and warm up. Often the band director will spend up to half an hour warming the players up - and expect the percussionists to remain quiet during that time.

How to deal with it?

- If you're going to warm up for half an hour.... Tell the percussion section to arrive later than the rest! - it makes no difference to you and its better than them being a distraction!

- Why not send them into a different room for their own section rehearsal during this time? Get a specialist teacher or assistant to work with them on their parts

- Use predefined warm-up routines that go along with what you are doing with the wind players. (doesn't always work, but can do depending on the materials you have)

Be prepared to supplement the band book

When I helped out with beginner bands I found it necessary to supplement the band books that the students were using with additional materials - often the materials are not interesting or they don't have enough variety to keep the students engaged in the materials.

They'll need lots of work on basic rudiments and rolls - often the band books don't address those things early enough. So therefore you may be able to supplement it with other material which is available online and in books.

Everyone playing mallets?

I'm going to leave this up to you - it depends on the different personalities in each of the bands you have. One popular series of band books the "standard of excellence" has snare drum/bass drum on the left hand pages of the book, and mallet percussion on the right. Another type the "essential elements" has one snare drum and one mallet percussion book.

I think that percussionists should rotate and do as much as possible, and if that means that they each need two books, whereas every other member of the band needs only one.. then that's the way it should be!

There are no quick fixes to make percussion better in the beginner band, but hopefully this article can give you one or two ideas that will help!

Kevin Tuck is a percussion composer and educator, who now works full time on the internet publishing his own works and helping others publish theirs. For more ideas on how to make percussion enjoyable in schools please visit kevins percussion blog

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Musical Instrument Stores

Musical Instrument Stores
By Peter Emerson

Musical instruments are as old as music and there are some traditional instruments that date back to centuries before. Every country has its own kinds of music and musical instruments that are unique to its culture.

Most classical singers still use traditionally designed instruments for traditional songs. The craftsmen who make these instruments are also different, having inherited the art from their ancestors. However, there are also newer manufacturers of musical instruments who make them for commercial sale. Most of them sell the instruments directly or through dealers and music stores. The main categories of musical instruments are chordophones (strings), aerophones (woodwinds and brasses), idiophones (percussion), and membranophones (drums).

Musical instrument stores today are almost superstores. They host several kinds of musical instruments that can be chosen by brand name, by the make, or by the price. They house top brands like AKG, Auralex, CBI, Conquest, DiMarzio, Elixir, Ernie Ball, Furman, GHS, Hosa, Monster Cable, Proco, Proel, Rolls, SKB, and Whirlwind. Musical instruments stores also sell recording equipment, DJ equipment, and live sound equipment, along with the other accessories like guitar amps, keyboard controllers, computer music hardware, stands and footstools, cables and cable accessories, speakers, straps and strap locks, microphone accessories, studio furniture, racks and cases, acoustic foam, headphones and headphone amps, covers, power supplies and batteries, and more.

There are discount musical instrument stores, as well, that offer attractive discounts, lowest prices, free-financing options, and easy return policies. Some give discounts up to even eighty percent. They also give away some accessories for free with the instruments. These offers can be found in advertisements in newspapers. The Internet is also a very good source for knowing about the latest offers, as well as for viewing and comparing products and products deals online. The instruments can also be ordered online.

Musical Instruments provides detailed information on Musical Instrument, Musical Instrument Stores, Musical Instrument Dealers, Pictures Of Musical Instruments and more. Musical Instruments is affiliated with Rock Music Code.

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How to Read Piano Sheet Music

How to Read Piano Sheet Music
By Duane Shinn

When it comes to reading piano sheet music, the first place to start is with the individual elements of the composition itself. Before you can tackle an entire piece, you must be familiar with that particular composition's language.

The following are steps to consider in reading piano sheet music. These will help you grasp the intent and nuances of the piece quickly.

* Look over the entire composition to get a feel for its length and structure. This first run through is just to have a quick overview of the composer's work.

* Go through the piece a second time. This second run through is more deliberate. You want to locate any unfamiliar things: notes, chords, articulations and tempo indications. Highlight any of these that you know will require research. Use a music dictionary or other resource to understand these elements.

* Next, consider the time signature of the piece. Are you familiar with it? If not, read up on the specific time signature, as it is a primary characteristic of the song.

* Consider the key signature of the composition. Are you familiar with this key or is it new? If it's new to you, learn the key's scale with its attendant sharps or flats to better understand the piece.

* Look for key changes within the song. Does the song remain in the same key throughout? If not, how many times does the key change and what are those new keys? Knowing the changes ahead of time makes playing the piece easier.

* Look for tempo changes in the song and highlight them. Again, familiarizing yourself with tempo changes ahead of time allows you to glide from one section to the next easier.

* Look for common passages. Does a phrase or motif repeat itself further along in the piece? Is there a variation of a basic motif somewhere else in the composition? When you familiarize yourself with the basic one, the variations will be that much easier to understand.

* Next, break the composition up into sections. Highlight difficult passages that will require more practice time.

* Write your own notes at specific places on the sheet music. Write these notes using your own unique markings. The only rule to abide by is "whatever makes the piece easier for you to read."

* Play through the piece once, as best you can, without stopping. Even if you have trouble at a certain point, finish the piece. This once over will give you a visual and aural snapshot of the composition.

* Play through the piece again. Stop as needed to make any additional markings in difficult areas.

* Concentrate on just the difficult passages. Look them over again a few times so their structure remains in your mind. Do this before playing them again. This sets the structure in your mind so you can concentrate on the eye-hand coordination. With your eyes familiar with the section, you can now work on your hand movements.

Playing a complete composition with piano sheet music need not be an arduous task. When you tackle its component parts one at a time, the process is much easier. When you learn the individual components and then put them all together, the result is a satisfying musical experience.

Duane Shinn is the author of the popular online newsletter on piano chords, available free at "Exciting Piano Chords & Chord Progressions!"

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Choosing the Right Snare Drums for your Music

Choosing the Right Snare Drums for your Music
By Ilse Hagen

In choosing the right snare drums for your drum kit, first, you have to determine what genre of music you will be playing to. There are different types of snare drums that produce different types of sounds. The right sound will depend on your taste and preference, and mostly, in the style of music that you are playing; there’s jazz snare drums, rock snare drums, metal snare drums, punk snare drums, and funk snare drums.

• Jazz snare drums

  Jazz snare drums are made of wood or brass and are usually played with brushes, not sticks. They have light to moderate drumhead texture that reduce muffling, and measure six inches deep and 14 inches wide.

• Rock snare drums
  
  Rock snare drums are typically made of stainless steel to produce louder sound that can be heard over electric guitars. They measure 14 inches wide and 5.5 to eight inches deep. They have drumheads that are heavy coated that for slight muffling.

• Metal snare drums

  Metal snare drums are usually made of brass, bronze, aluminum, or synthetic material such as carbon fiber and acrylic. They produce a higher volume and a brighter timbre than the other snare drums. They measure 13 to 15 inches wide, with a depth of eight inches. Smaller versions are also available, and are usually termed as power piccolos.

• Punk snare drums

  Punk snare drums are as loud as hi-hat cymbals. They are available in different tuning types and drumheads, and can often be easily configured. They measure 15 inches wide and 5.5 to six inches deep.

• Funk snare drums

  Funk snare drums have a distinctive stressed and highly accented sound. They are tightly tuned to produce a high crack while maintaining a full-bodied sound. Funk snare drums measure 13 to 14 inches wide and are available in various depths.

BUYING TIPS

A complete GUIDE TO SNARE DRUMS is available in Picky Guide, one of the fastest growing online magazines giving free consumer advice and product information.

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Drum Circle: A Guide To World Percussion - Book Review

Drum Circle: A Guide To World Percussion - Book Review
By Lillian Brummet

Alfred Publishing has published a number of world percussion books. What sets Drum Circle: A Guide To World Percussion aside from others is that the book or CD can be purchased separately or together. This aspect alone could be very appealing for educators.

Drum Circle: A Guide To World Percussion appears to be written for music and social studies teachers and drum enthusiasts looking to bring new ideas into their playing. The authors cover 28 different instruments, grouping similar instruments together in single chapters. The format for each chapter is consistent, beginning with interesting historical and origin factoids. Tuning and playing position are then discussed prior to demonstrating the performance technique. Close to 90 black-and-white photographs aptly demonstrate playing position and technique.

Drum Circle: A Guide To World Percussion truly is a fantastic introduction to a large number of percussion instruments from around the globe. Here, players will be introduced to Brazilian, Arabic, Cuban, Malian, Guinean, Irish, Syrian and Egyptian (among others) instruments and rhythms. The book’s Introduction chapter encourages readers to try other instruments with the traditional songs, which is a great way to grow as a musician. We have found this is a very interesting approach to drum set playing as well.

Pages 53-65 list traditional Middle Eastern, African, Cuban and Brazilian songs. Pages 65-72 offer modern use of world rhythms in 8 or more ensembles. Both traditional and modern notations are included.

The book states that the stereo enhanced CD is interactive with audio and visual tutorials for windows compatible computers.
I was slightly disappointed to learn that though the CD did indeed have an audio track available for computer use, it was only a QuickTime recording – rather than audio/videos, which is what I was hoping for.

One other negative aspect of the CD is at the very end it makes an irritating electronic grinding or static sound that had us running for the stop button. However, my husband and I thoroughly enjoyed the book and look forward to playing the larger ensembles with our drumming friends.

Publisher: Alfred Publishing
Author: Chalo Eduardo & Frank Kumar
ISBN #’s: 0-7390-2309-8 (book and CD)

0-7390-2319-5 (CD only)

0-7390-2309-X (book only)

~ Book Reviewer: Lillian Brummet – co-author of Trash Talk, a guide for anyone concerned about his or her impact on the environment – author of Towards Understanding, a collection of poetry. (http://www.sunshinecable.com/~drumit) *A Special Note of Appreciation: for Dave Brummet’s valued input during the writing of this book review article.

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Choosing The Right Drum Practice Pad

Are you a new drummer or an experienced drummer? How do you know which type of drum equipment to choose, or which brand to you choose? If you are in a high school band, drum corps international (e.g. Blue Devils, Phantom, Santa Clara Vanguard, Cavaliers, Madison Scouts), or just a guy who works in a drum shop, this article is for you! We want you do know how to pick the right drum accessory, or better yet, the right practice pad.

With so many practice pads out there, how do buy drum pads? To answer this, you need to know the type of drum music you will be playing, the environment you will be playing in, the precise drum equipment you will be playing, and your budget for buying drum a percussion pad.So what type of practice pads are out there? Well, what do you want the percussion pad to feel like? Do you want it to feel like a bass drum practice pad, snare drum head, tenor practice pad, or just a plain drum practice pad. Is there specific brand that appeals to you like a Remo practice pad (Remo drum pad. Would you play with a Vic Firth drum stick? Danmark? Don’t just look for the average drum for sale. Choose best for your situation. If you can’t be serious about that, then join the woodwind and brasswind section. Most people know of Reel Feel by HQ. Other styles are single sided, double sided where one side has a soft rubber and the other is a hard rubber made of neoprene. Drum pads are made different sizes too such 6” and 12.”

Other types of drum pads are mutes, which are made for drum kits (drum sets) for the drum heads and cymbals. Mutes are made in many different sizes and they make quite practicing on option on the drum set.

What type of drum music do you play? Do you play Jazz? Are you a Drum Corp guy? Or, are you just learning how to play drum music? You need to know this so that your choice in a drum shop will be intelligent. Don’t get a used drum pad. Buy drum pads that are best for you condition of playing.

How about your environment? Where are you practicing? Are you in a garage? Do you play in bedroom? How about a school? Here is an funny one, if you are in a high school band, are you learning how to play drums in class? Sometimes drummers tap on their legs while in class. That's a detention time my friend. Either way, anywhere, depending on your surroundings, you need to choose a drum pad that best suits your ears, feeling and the one that does not annoy others, or another drum bum. As most drummers know, there are many types of musical instruments accessory. When it comes to drum pads, there are also many types of drum practice pads.

Finally, what is your budget? Are you willing to spend $10 or $150? Most drum shops who sell single side and double side drum pads offer drum pads at an average of $45.00. You can expect shipping to be around $5-$10 depending on the drum shop. Don’t buy used drum pads. In addition to drum pads, these drum bum drum shops sell mallet bags, drum videos, drum books, many drum accessory and other drum equipment.

Choose wisely and happy hunting for your favorite drum practice pad.

Welcome to DrumEx.com

Welcome to DrumEx.com! You have stumbled upon one of the few drum sites that encourage you to GET THE FACTS before you start drumming, buy your first drum set or get drum lessons and other music instruction. Start here to get a quick overview of what is involved when deciding to take on a musical instrument.

The owner DrumEx.com, Darren Tunstall, Drummer, has been drumming and providing drum instruction for years. Since the start, he has gained quite a bit of knowledge, and he wants to share that drumming information with you.

Many other sites only want to sell you a music instrument or provide you with drum lessons. This website does the same, and does not just sell you drum kits. We will provide all sorts of information including online drum lessons, how to play drums, drum teachers and other music instructors.

You can also submit to us information or drum videos or anything you want to see on this site. We will review and post if applicable. Be sure to look at our drum video instruction pages for free online drum lessons. We will update as the site as much as possible.

Make sure you read all information about drum instructors, drum teachers, guitar, teachers, piano teacher, violin teachers, etc. Remember though, our primary focus is drumming.

We wish you luck and thank you for visiting DrumEx.com.

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